A new hum reduction system is also standard. The amplifier’s digital section is complemented by two 12AX7 preamp tubes that feature Fender’s tube rattle prevention system. Different reverbs and noise gates are also available. There are 28 effects you can choose from, and each effect has several user-adjustable parameters. Numerous presets are included from such artists as Greg Koch and Gary Hoey to serve as starting points for your own sounds. The remaining 150 sounds feature the best of Fender’s own amp collection (from the Deluxe Reverb and Bassman to the Vibro-King and Twin Reverb) plus emulations of other classic amps such as Marshalls and Mesa Boogies. The Cyber-Twin SE also features 250 total preset sounds, 100 of which are user customizable. The stereo amplifier pumps out 65 watts per channel for a total of 130 watts. The Fender Cyber-Twin SE is a 2×12 combo (with twin Celestion G12T-100 speakers) that sports a tube preamp in combination with analog and digital circuitry that reconfigures itself depending upon the sound needed, rewiring the sound as needed. How does it stack up to its predecessor and other similar amps? Let’s look at the details and see. The latest incarnation is the Fender Cyber-Twin SE. The original Fender Cyber-Twin was heralded as a major contribution to the hybrid amp marketplace, relying upon both traditional tube technology and digital amp design (technically, the Fender Cyber-Twin isn’t a modeling amp). So, when they’re willing to step into the amp modeling arena, it’s worth paying attention to the results. From the Bassman to the Twin Reverb, Fender is a company that knows amplifiers. If any name is synonymous with classic amplifier design, it’s Fender. The Fender Cyber-Twin SE is a powerful, versatile solution that could be the perfect solution for a gigging guitarist.
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